As a long-distance love letter to this thread, I want to submit another runner-up for Best Spinoff, which is Saru Walking. Doug Jones has done an amazing job of making the simple act of walking down a corridor look convincingly alien.

Oh. Oh my. This is awesome.

Anyone else notice that Discovery looks an awful lot like the Vulcan IDIC symbol? The proportions are startlingly similar. I see that at least two people on Reddit agree with me! (and as one of them notes, the double-ring saucer section actually enhances the similarity.)

"Just Establishing Shots" made me do a snort-laugh in this crowded coffee shop. Fortunately I was in between sips of coffee, or it might have been one of those spit takes Valerie loves. Well done. Also, I would most definitely watch that. And "Tilly Sitting Down With Loners in the Mess Hall" sounds awesome, and certainly far superior to "Comedians in Cars." And maybe there's a chance that Mary Wiseman would do a web series during the hiatus if we tweet at her about it?

"Kirkiness" is right for Captain Georgiou. I like the Emperor, and I'm sure she'll be back again someday, but we saw far too little of the Captain.

I love Burnham's hair, and how it's used to show us her character arc without necessarily calling attention to it. We just watched the Enterprise episode "Civilization," in which T'Pol has to wear a wig. It's jarring to see her without the Vulcan haircut, and it highlights just how important that hair is to our understanding of Vulcan identity.

And Discovery is just a beautiful ship. Watching a lot of Enterprise lately, I think the creators have done a fantastic job of designing a ship that looks like it's developed from those earlier designs a century earlier.

Also, awesome interrobang usage!

Best Ship

I want to be more creative than this, but I just really like the Discovery. I love its chunky straight-edges design, and the saucer made of concentric rings connected by glass-walled corridors is just cool (even if the spinning spore-jump effect is downright silly). It's close enough to the classic Enterprise-style design that it pushes all those familiarity buttons while still having its own touches of uniqueness.

I was tempted by the Klingon ship of the dead, which is awesome in the literal sense, but we never really got a good look at it because it was just too huge to take in (and was usually cloaking or decloaking or being blown up). I also liked the Shenzhou with its hanging-bridge design, but I think the fancy camerawork made it look better than it really is.

Best CO

Another obvious choice, but having just rewatched the season, I love prime-universe Captain Georgiou. She's sardonic and sarcastic, ribbing her officers, but snaps into no-nonsense mode when the situation demands. She actually does a pretty great job channeling that classic Kirkiness.

Best Hair

Again! Burnham's post-mutiny hair (i.e. the "natural" look) is just fantastic. It's as if she took her cue from Wesley Snipes in Blade and kept growing it. The contrast between her straightened look in the initial episodes (which continues to be used for all the CBS marketing) is stark, and the later look is so much better.

I'm also a fan of Owosekun's pile of braids, and the scruffy college look of the transporter operator.

Best Monologue

I was most moved by Saru's speech in preparation for attacking the Charon. His "My species is bred to sense the coming of death. I do not sense it now" suggests to me that the entire reason for putting that silly line in the pilot was for this very speech. Also great: "Discovery is no longer Lorca's. She is ours. Today will be her maiden voyage."

Best Adversary

This is an extremely hard question to answer! Every single adversary in this season is complex, and through their actions, actually helped our protagonists quite a bit along the way of pursuing whatever plan they were about. Lorca was the grandest schemer, but also one of the Federation's most effective weapons in the war against the Klingons (and, as discussed on the podcast, once he actually became The Adversary he got totally one-dimensional). Voq and L'Rell were probably our most implacable foes, but L'Rell saved Cornwell, and Voq as Tyler was mostly a good soldier on Discovery.

In the end I'd probably go with Emperor Georgiou. She exudes that sense of threat that is essential for a good adversary, and doesn't have any particular redeeming characteristics, even if her love for Burnham saves the day in the end. I still don't trust her at all.

Best Spin Off

It's a tie between: Just Establishing Shots, flying from outside ships in through their windows; and Tilly Sitting Down With Loners in the Mess Hall. These could probably be combined into a single compelling show.

Best Plot Hole

Taking "plot hole" literally, I found the extremely fast pace/tight editing of the whole series to be a bit jarring. We've discussed the various scene-to-scene cuts that disguise a large amount of time passing, and plot developments that are hidden just to surprise the audience later. The biggest, of course, being Tyler's surprise rescue by Discovery after being beamed into space. When could that arrangement have been made‽ How did she plant that thing on his leg by punching him in the stomach‽ How was Discovery close enough to beam him out within seconds without the Shenzhou detecting them‽ None of that made the least bit of sense given what we were shown, but it did make for a satisfying surprise.

In the more traditional "plot hole" sense, my main beef is in the complete lack of any kind of military discipline in Starfleet. Aside from Burnham's original sin, nobody ever faces consequences for terrible decisions or actions:

• Lorca constantly disobeying admirals (though it wouldn't be Star Trek without this)

• Stamets mouthing off and pouting about every single thing (this came to be lovable, but boy did I hate him at the beginning of the season)

• Tilly and Stamets hiding the spore side effects

• Burnham hiding Tyler's PTSD

• Saru going nuts on Pahvo (high-five BionicDave!)

Of course, there never has been much in the way of military realism in any of the series, but I think the serial format makes it so much more obvious. If the Reset Button gets pushed at the end of every episode, accountability doesn't really mean anything. But with a single story arc across episodes, it becomes more jarring.

And now for my own awards!

Best Establishing Shot

Burnham and Tilly jogging through the saucer tunnel! Runner-ups: all the ones from the mirror universe, in which there were at least four window fly-throughs in The Wolf Inside alone.

Runner-up: Terran shuttle leaving ISS Shenzhou!

Best Line

Tilly, getting into her Mirror Universe character: "Well, let's not keep these assholes waiting!"

Best Adherence to Actual Physics

This show is pretty lazy with attempting to be scientifically accurate, but in one scene it actually is! Burnham notes that the Charon is 27 million kilometers away, and then then tells the shuttle to go there at Warp 1. Assuming that is light speed (which I believe it is from reading the Technical Manual 25 years ago), it should take about 90 seconds to get there… and it does!